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Iron Fantasy by She Goat-37, (large), photographer Rui Henriques.jpg

IRON FANTASY

A sweaty show with songs asking what does it mean to feel strong?

Two confrontation-avoidant gentle beings finally decide to live out their 1990s TV fantasies and pump iron, strap on armour, and learn how to fight.

 

Mixing interviews with children, teens, and elders, with their own personal stories and medieval gymcore beats they made up, She Goat set forth on a quest to get strong, stay strong and find out what “strong" even means.

 

In search of assertiveness!

In search of a six-pack! 

Armed with flute, autoharp, and a lot of cottage cheese… 
 

This is IRON FANTASY. 

 

Written and performed by She Goat (Shamira Turner and Eugénie Pastor).

 

Content considerations: references to domestic violence, sexual assault, bereavement, miscarriage, illness. Contains raw egg. 

 

Age recommendation: 14+

 

IRON FANTASY research and development in 2024 was supported using public funding by the National Lottery through Arts Council England; funded and supported by neimënster, with additional support from Camden People’s Theatre, Longfield Hall, and Chickenshed Theatre.

Outdoor Photography by Rui Henriques. Indoor production shots by James Allan. 

★★★★★ A Young(ish) Perspective 

★★★★★ Reviews Hub

★★★★ Broadway World

★★★★ Theatre Weekly

★★★★ Theatre and Tonic 

“Impressively crafted, skilfully executed, and astutely observed, this is a must-see show”

Reviews Hub

“silly comedy and recognising the pain it can take to create it.”

Broadway World

“Providing the level of energy and absurdity that you might find in a 1990’s exercise DVD, Iron Fantasy is so silly yet deeply relatable”

Theatre and Tonic 

 

“quirky and gently touching” 

The Stage 

“an explosion of comedy and sound with a quiet and profound centre”

A Young(ish) Perspective 

“the audience is left breathless at Pastor and Turner’s ability to turn trauma into art.” 

Time Out

“provocative, funny, enriching, and haunting” 

Theatre Weekly

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Check out our trailer

film by Sergio Batista

The Making of Iron Fantasy...

Research & Development of Iron Fantasy

To make this show, we needed to get inside the experience of getting stronger and find out about what strength feels like from the perspectives of growing up and growing older. In Spring/Summer 2024, we secured the funding and partner support for four weeks of devising and writing time with wraparound community workshops. 

 

In residency at neimënster, we began exploring strength through running workshops with children aged 6-11 with four groups at Luxembourgish and International schools. Research shows that people’s ideas about strength and gender form extremely early in life, and we are asking children what strength and courage look and feel like for them now. They told us it can mean “pulling a car with your teeth” and that you can feel more powerful “when your pet cat is by your side”).

 

In our hometown of London, we worked regularly with a diverse group of women aged 45+,  asking what is holding them back and imagining ways to change that. They told us they can feel invisible and “you need to do things that scare you a bit to stop your world from getting smaller” as you age. 

 

We ran theatre workshops about strength with three groups of teenagers, aged 12-19 - Camden Youth Theatre, Longfield Hall Young Company, and a sixth form college through Chickenshed Theatre. They told us about “putting on a brave face” and how what’s inside and outside don’t always match.  

 

To feel strong from the outside in, we began collaborating with a strength training expert Artur Nowicki learning weight lifting and with fight choreographer Bethan Clark to understand how to fight and how to theatricalise fighting. 

 

We are collaborating with Costume Designer Sarah Munro, developing costumes that re-use and recycle discarded and secondhand sports gear and found materials into new gladiatorial outfits. 

 

As musicians, we are experimenting with mixing upbeat fitness pop with Medieval music to create a new uncanny palette using flute, autoharp, harmony singing, and electronic beats. 

 

This project is about asking when we realised we didn’t feel strong - strong enough to defend ourselves, to fight back, to know what we wanted, and to assert those needs. When did we stop trusting our bodies? And now entering our middle-age, how can we learn to be assertive, and what would it mean to fight back? What does being powerful look like through a feminist gaze, and what does it look like in the real world? 

 

We began writing personal, autobiographical texts and mixing these with our research findings and our fantasies of being strong and powerful. We set out to build a new world of feeling strong on our own terms. 

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IRON FANTASY

 

Created, written, composed and performed by She Goat

Shamira Turner & Eugénie Pastor

 

Producer: Shamira Turner

 

With thanks and acknowledgement to all the people

who have been a vital part of this process…

 

Strength training expert: Artur Nowicki

Lighting designer: Carey Chomsoonthorn

Luxembourg Producers: Karine Bouton & Lisi Linster

Outdoor Photography: Rui Henriques

Indoor Photography: James Allan

For the 2024 Research & Development:

 

Costume experts: Sarah Munro & Charlie Watkins

 

Fighting expert: Bethan Clark

 

Lighting tech support in Luxembourg: Lucas Fréchin

 

Luxembourg Producer: Luc Spada

Music advice: Yshani Perinpanayagam

 

Creative Audio Description Consultants: Ada Eravama, Jasmine Kahlia

 

Community Engagement Evaluation & producing advice: Matthew Schmolle

Body Paint Artist: Carolyn Roper

 

Behind the scenes video: Helm Films & Sam Halmarack

 

Filming Runner: Maja Szewczuk

 

Artist Wellbeing: Noelle Adames

 

IRON FANTASY research and development was supported using public funding by the National Lottery through Arts Council England.

Supported by neimënster, Longfield Hall, Camden People’s Theatre, and Chickenshed Theatre. 

 

Special thanks to… 

The children and teachers at Bonnevoie-Schlechter School and St George’s International School Luxembourg ASBL; the teens, teachers and group leaders at Lycée Michel Lucius (Luxembourg), Lycée Arts et Métiers (Luxembourg), Chickenshed Theatre, Longfield Hall Young Company, and Camden Youth Theatre; the members of She Goat Theatre Club; Peckham Police Community Support Officers PBR and Abisola Adeolu. And thank you to Tom Lyall and Mark Ward, Freddie Lippi, Brian Logan, the Yard Theatre, Little Bulb, Daniel Pitt & Old Diorama; Our audiences – past, present, future. 

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Two dudes in yellow mullet wigs, each at a microphone with a foam cover: yellow on the left, blue on the right. The yellow-mic dude looks upwards with a wrinkled brow. The blue-mic dude speaks into the mic with eyes tight shut.

“Howled with laughter, gasped at their musical dexterity” @DJstewartwho

She Goat website © 2019 She Goat (Shamira Turner + Eugénie Pastor) and respective copyright holders

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